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What exactly is happening? In the best rock songs, you can almost see it. The Sly Sunniness of Betty White Megan Garberīut here goes. It’s Ulysses in a pop song, the typical day made unforgettable. If “A Day in the Life” is about anything, it speaks to the way the daily unfolding of worldly events touches the private fragilities of ordinary people. They are aural fireflies, and you can get too close and lose them. The song has so much happening that when I casually listen I feel the accumulated effect, but attempting to really figure out what’s going on, I fear may take the fun out of it. An orchestra plays, and then one singer’s voice gives way to another’s-John’s worldly reflections transitioning to Paul’s sketch of domestic memoir, and then back again-before orchestral cataclysm and a final resting place. It’s an elaborate production, filled with sophisticated George Martin and Geoff Emerick musical trickery (distortion, echo, dubbing, reverb).

Nor is “A Day in the Life” guided by melody like so many Beatles creations. “A Day in the Life” isn’t a song to sing, as are “Eleanor Rigby” (ideal for both car and karaoke), “Hey Jude” (written to soothe John Lennon’s young son, no lullaby works better at children’s bedtime), or “In My Life” (a perennial at weddings and funerals and, I can’t help mentioning, rock’s analog to Shakespeare’s Sonnet 116). It is the epitome of The Beatles’ master building, of fitting stone upon stone, each section troweled together with such ingenuity and care that upon completion the whole thing feels seamless, a structure not built at all, but a whole that simply was. Pepper album, however, is “A Day in the Life,” which is my idea of a perfect song.

But I don’t consider it even the best Beatles album that’s Rubber Soul or Revolver. Pepper is an experimental classic, a triumph of influence. Pepper studio sessions were weeks of ideas tried, ideas rejected, and things tried anew. Inspired by Brian Wilson’s obsessive labor on the Beach Boys’ epic Pet Sounds, the Sgt. Pepper ’s Lonely Hearts Club Band, which arrived 50 years ago in the long record-breaking summer heat of 1967, is one of rock’s greatest albums.

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